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Bullpen Bulletins: Stan Gets Political

BACK IN THE MID 1960s, just as I was in the process of becoming the Marvel Fanboy I remain to this day, we didn't have comics websites, or YouTube videos or even mimeographed comics fanzines to tell us what was going on. All we had was Stan Lee's ingenious "Marvel Bullpen Bulletins", giving us glimpses inside the Marvel offices and snippets of information about what we could expect to see this and next month from Marvel. The very first published Marvel Bullpen Bulletins page, from Journey into Mystery 122 (Nov 1965). At the time, Stan was making announcements about various Marvel Comics in text boxes, often yellow, on the various letters pages. This would be replaced by the Bullpen page, but the earliest examples appeared to be a mix of the two. The Bullpen page made its debut in Journey into Mystery 122 (Nov 1965), which was on sale on 2 Sep 1965. This was a week before the December issues of Fantastic Four and Amazing Spider-Man , often cited (wrongly) as carryin...

Marvel at the Oscars - an interlude

I WAS WATCHING THE OSCARS a few nights ago and was delighted to witness four Academy Awards go to Marvel Studios movies. In addition, Black Panther (2018) and Avengers: Infinity War (2018) gathered a further five nominations between them. That's bonanza year for Marvel - nine nominations and four Awards - and a record for comic book-based movies. Marvel Productions' Black Panther racked up a formidable seven nominations at this year's Oscars, winning in an unprecedented three categories. It's a great achievement for Stan and Jack, but I wish Don MacGregor had been given more credit for creating the bulk of the storyline. There was a time, a few years back when the term "comic book movie" was an insult that the Hollywood establishment hurled around when a movie they hated was successful. Not any more ... It appears to me that big studio pictures based on comic books are undergoing the same transformation that science fiction and fantasy movies underwent fro...

Bullpen Bulletins - How it all started

ONE OF THE GREAT THINGS about the comics of Marvel's formative years is how Stan instinctively understood how to connect with his audience. Every bit as important as the exciting scripts and art of the comic stories were the Marvel editorial pages, starting with the letters pages which would soon spin off the Marvel Bullpen Bulletins. The Marvel Bullpen Bulletin pages started in some November 1965 cover-dated Marvel comics (above is the first one to appear in Amazing Spider-Man , issue 31) ... but the foundations for this were laid much earlier in the letters pages that began in early 1962. Editor Stan Lee would evolve and build on the way he talked back to his readers and finally make a feature of it, a page that many fans (including myself) would read before the story. The first Marvel letters page was in Fantastic Four 3 (Mar 1962). When you think about it, that's pretty soon after Stan made the conscious effort to up his game and do something a bit more engaging than Godz...

Next time ... on Marvel's Agents of SHIELD

EVEN EIGHT MONTHS IN to the Strange Tales run of Nick Fury Agent of SHIELD, it didn't seem as if writer and editor Stan Lee really had a handle on the series. The first seven episodes had repurposed ideas lifted from the first four James Bond movies and the first couple of seasons of Man from UNCLE. Some of the blame for these slightly below average comics can be laid at Stan's door, but really, it was Kirby that was floundering. Strange Tales 142 had one of the best of the early SHIELD covers, but somehow the story inside the comic seemed to be sputtering, despite full Jack Kirby pencils (and presumably plot) and adequate Mike Esposito inks. Left to his own devices to plot the SHIELD stories, Jack Kirby drew up a storm but the ideas weren't coming together to form a cohesive whole. Strange Tales 142 (Mar 1966) was the last issue of the title to go on sale in 1965 (9th Dec), with Jack Kirby returning to provide full pencils for Micky (Esposito) Demeo's inks. The ep...

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From Horrors to Heroes

AS THE DAYS of Marty Goodman's Atlas Comics drew to a close in the late 1950s, the publisher was casting around for the Next Big Thing. Locked in to a draconian distribution contract with arch rivals DC Comics, Goodman was limited to a tight eight titles per month and if he needed to launch a new title, he was forced to cancel an existing one. So, feeling that mystery and science fiction was the coming trend Goodman decided to launch three new comics to complement the existing Journey into Mystery, World of Fantasy and Strange Tales titles. The new books were Strange Worlds , beginning in December 1958 and replacing the cancelled Navy Combat , and Tales of Suspense and Tales to Astonish , both debuting in January 1959, replacing the cancelled Homer the Happy Ghost and Miss America . Journey into Mystery and Strange Tales had been around since the twilight of the Golden Age and changed in content according to Martin Goodman's take on his customers' tastes. So they bega...

Marvel Masterwork Pin-ups

AT THE DAWN OF MARVEL COMICS , back in 1961, Editor Stan Lee must have known he had a big hill to climb. He presided over a comic line that had once been the largest in the business, and was now one of the smallest. This wasn't due to Lee's poor handling of the comics, but a direct result of publisher Martin Goodman's unsound business decisions. In 1957, Goodman had decided to close down his own Atlas magazine distribution company and  strike a deal with the third party distributor American News to get his publications to the stands. Just months later, American News went out of business, leaving Goodman's magazines, including the comics, with no route to the newsstands. In the end, Goodman was able to do a deal with arch-rivals Independent News (distributors of DC Comics), but was forced to accept an eight titles per month cap on his comics line. At the beginning of 1959, the old Atlas Comics company was limping along, using the few artists who'd stuck with Stan thr...

Marvel Comics: Second-Hand Memories

BACK IN THE MID-1960s , when I first became interested in reading as many Marvel Comics as I could lay my hands on, there wasn't the perfect distribution network today's comic fans enjoy. I was reliant on the spotty delivery of American comics to the many independent newsagents in my local area and what I could salvage from the piles of second-hand comics in the various unlikely shops I'd stumble across. Once I realised that there were shops that would sell second-hand comics, I began to explore the area in earnest, ranging far and wide on my bicycle, stashing my new-found treasures in the saddlebag I'd acquired especially for that purpose. In general, these second-hand shops charged 6d (that's 2.5p in today's money - though adjusting for inflation it's actually about 30p). My pocket money was 2/6, so I could afford to buy five comics for that. Or three if I was buying them new from a newsagent. Caution was often called for. Of course, I didn't spend all...