Leer Comics

THE EARLY YEARS OF THOR , like the earliest Hulk stories, were a succession of false starts and reinventions. After the first run of Kirby issues, Stan tried to bring in more mythic elements with the help of his brother Larry Lieber on scripting and veteran Atlas penciller Joe Sinnott on art chores. But he wasn't happy with the way Journey into Mystery - and for that matter Strange Tales, Astonish and Suspense - were going and took the drastic step of taking over the writing of these titles himself, and then giving each a meaningful facelift. That this all happened in the same month means it wasn't a coincidence, but a plan. The July 1963 on-sale issues of the four anthology titles were the last written by Stan's hired gun scripters. Starting with the following month's issues, Stan transformed almost the entire Marvel line... This was what Marvel's assault on the newsstands looked like during the summer vacation period of 1963. Four major revamps, more Spider-Ma...

THE EARLIEST THOR STORIES have always been associated with the grand art of Jack Kirby. But it wasn't actually that way. While the first seven issues of Journey into Mystery that featured the Thunder God were drawn by Kirby, these tales had none of the epic sweep the Silver Age version of the character is remembered for. Thor would battle Commies and gangsters and we'd rarely see more than tantalising glimpses of Odin and the fabled realm of Asgard. Then, all too soon, Kirby was off the title, re-assigned by Editor Stan Lee to other more pressing projects, like the epic first Fantastic Four Annual (Oct 1963), as well as new titles X-Men and The Avengers .  Working over a plot by Stan Lee and a script by Larry Lieber, Al Hartley turned in his only superhero story of the Silver Age, "Trapped by the Carbon Copy Man". The result was less than legendary. Another artist had to be found for Journey into Mystery 90 (Mar 1963, on sale January) ... and for that task, Stan ...

IT'S EASY TO FORGET , with almost sixty years of Marvel Comics behind us, that in the earliest days Marvel Editor Stan Lee and his rag-tag band of writers and artists were simply trying to put of comic books every month in genres they - and their Publisher Martin Goodman - thought would sell. There was no plan to take over the comics world, or create multi-million dollar movie franchises. They just wanted to make a living and perhaps have a little fun doing it. So when Fantastic Four began selling a little better than expected, in the first half of 1962, Stan began looking for other ideas he thought might click with the readers. But because these were superhero comics, a trend that had died in the late 1940s and had failed again in the mid-1950s, when Atlas had tried to revive Captain America, Human Torch and Sub-Mariner, Stan didn't really give them his full attention. While he was busy scripting FF and The Incredible Hulk , and refining the concept of Spider-Man which would...