SO ... IN THE FIRST HALF OF 1965 , I had discovered Marvel Comics and thought they made DC Comics look like kids' stuff by comparison. But then I was ten years old and didn't have a clue why Marvel Comics seemed quite a bit more grown up. It's possible that now, almost fifty years later, and having worked as an editor in comics for something like fifteen years, I may have a better insight into why that might have been. But for the moment, I want to continue to retrace my first steps through my transition from a casual DC reader to a fully-formed Marvelite … Now, this wasn't some kind of magical, overnight transformation. Through 1965, as I started to look for more of those cool Marvel Comics, I was still reading a smattering of DCs. In 1964, when I first discovered Marvel, one of the DCs that still stands out in my memory was an issue of World's Finest , issue 139, "The Ghost of Batman". It had one of those typical early Sixties DC covers that make you wan...
AS THE DAYS of Marty Goodman's Atlas Comics drew to a close in the late 1950s, the publisher was casting around for the Next Big Thing. Locked in to a draconian distribution contract with arch rivals DC Comics, Goodman was limited to a tight eight titles per month and if he needed to launch a new title, he was forced to cancel an existing one. So, feeling that mystery and science fiction was the coming trend Goodman decided to launch three new comics to complement the existing Journey into Mystery, World of Fantasy and Strange Tales titles. The new books were Strange Worlds , beginning in December 1958 and replacing the cancelled Navy Combat , and Tales of Suspense and Tales to Astonish , both debuting in January 1959, replacing the cancelled Homer the Happy Ghost and Miss America . Journey into Mystery and Strange Tales had been around since the twilight of the Golden Age and changed in content according to Martin Goodman's take on his customers' tastes. So they bega...