THE EARLY YEARS OF THOR , like the earliest Hulk stories, were a succession of false starts and reinventions. After the first run of Kirby issues, Stan tried to bring in more mythic elements with the help of his brother Larry Lieber on scripting and veteran Atlas penciller Joe Sinnott on art chores. But he wasn't happy with the way Journey into Mystery - and for that matter Strange Tales, Astonish and Suspense - were going and took the drastic step of taking over the writing of these titles himself, and then giving each a meaningful facelift. That this all happened in the same month means it wasn't a coincidence, but a plan. The July 1963 on-sale issues of the four anthology titles were the last written by Stan's hired gun scripters. Starting with the following month's issues, Stan transformed almost the entire Marvel line... This was what Marvel's assault on the newsstands looked like during the summer vacation period of 1963. Four major revamps, more Spider-Ma...
BACK IN THE LAST CENTURY I earned my living in the magazine business ... and the prevailing wisdom at the time was that you didn't ever - under any circumstances - mess with the magazine's logo. In fact, any kind of change to the magazine's masthead was frowned upon, and even re-branding exercises were viewed with much suspicion. In the last entry in this blog, I looked at the many times that Marvel Comics changed their magazine's logos during the 1960s ... it all seemed so much easier then. But even less acceptable was the idea that you could transform the comic's logo for just one issue for, oh I don't know ... Dramatic Effect. From a marketing perspective, that's an even bigger risk than changing the logo as part of the natural evolution of a magazine's masthead Strangely, though this blog focusses on Marvel Comics, and I've always maintained Stan Lee was far more willing to experiment with different approaches to comics and storytelling than his...