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Marvel's Weird One-Shots (or, Hey ... where's issue 2?)

THE SECOND HALF OF THE 1960s was a strange time for Marvel Comics. Stan Lee had established a strong line of comic books by 1966, and was less restricted by distributor Independent News' eight-titles-a-month rule. With a roster of 20 titles, many of them monthly, Martin Goodman was also sneaking in Annuals (which seemed to be exempt from the distributors' monthly limit) and some puzzling one-shots. I have no recollection of when I first saw Marvel Super-Heroes 1 (Oct 1966). And back when I was twelve, it never occurred to me to question why a comic was published. I'm sure I would have thought it was simply a companion magazine to the other giant comics I loved so much, Marvel Tales and Marvel Collectors' Item Classics . Expensive though they were at 1/6, almost double the price of a regular comic, they provided me and many other Marvel latecomers easy access to the earliest Marvel stories. I think at the time I had already picked up Avengers 2 and Daredevil 1 from...

Bullpen Bulletins - How it all started

ONE OF THE GREAT THINGS about the comics of Marvel's formative years is how Stan instinctively understood how to connect with his audience. Every bit as important as the exciting scripts and art of the comic stories were the Marvel editorial pages, starting with the letters pages which would soon spin off the Marvel Bullpen Bulletins. The Marvel Bullpen Bulletin pages started in some November 1965 cover-dated Marvel comics (above is the first one to appear in Amazing Spider-Man , issue 31) ... but the foundations for this were laid much earlier in the letters pages that began in early 1962. Editor Stan Lee would evolve and build on the way he talked back to his readers and finally make a feature of it, a page that many fans (including myself) would read before the story. The first Marvel letters page was in Fantastic Four 3 (Mar 1962). When you think about it, that's pretty soon after Stan made the conscious effort to up his game and do something a bit more engaging than Godz...

Strange Tales: The Human Torch solo stories

IT'S FAIRLY WELL RECORDED  that at the beginning of the 1960s, when Marvel publisher Martin Goodman instructed editor and head writer Stan Lee to kick off a superhero team comic to cash in on the success DC was having with Justice League , he wanted to revive Timely's Golden Age characters The Human Torch, Captain America and The Sub-Mariner. The Human Torch had been the headline character in Marvel's first ever comic, Marvel Comics 1 (Oct 1939). When Stan was ordered to create a new superhero team book in 1961, Goodman wanted to re-use the Timely characters, but Stan went with The Fantastic Four, likely including The Human Torch to appease Goodman. And if Stan had just meekly followed that order, it's doubtful that we would have a Marvel Comics today. At best, the company would probably have ended up as a curious footnote in the history of comics, and not the creative powerhouse it evolved into during the 1960s. As good as Stan's instincts were, he did take a few ...

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Marvel's First Mystical Hero - Dr Droom

THIS TIME, I've asked my old friend and former 2000AD colleague Kid Robson to contribute a guest entry for this blog. We both share a love of early Marvels, especially those written by Stan Lee, and as The Kid had mentioned Droom in one of his earlier comments on this blog, it seemed natural to ask him to offer a few words about Dr Droom and his spiritual successor Dr Strange. Thank you, Kid ... "Twas Steve's idea..." said Stan Lee about Dr. Strange in a letter to Jerry Bails in 1963. However, it's interesting to ponder just what gave Steve the idea to do a strip about a 'Master of Black Magic' (later changed to 'Mystic Arts') in the first place. The origin of Dr Strange wasn't revealed until the character's fourth appearance, in Strange Tales 115 (Jul 1963) - he hadn't appeared in Strange Tales 112 and 113 . It has been speculated that this episode was drawn much later in the series run - perhaps the ninth story, as it's markedly...

Captain America: Live Action Star of the Small Screen

IT'S PROBABLY hard for younger fans to understand just how slim the pickings were for those of us who followed comic book superheroes back in the 1960s. As early as 1966, Marvel publisher Martin Goodman had licensed the rights to his Marvel characters to television. The Marvel Superheroes cartoon show was made in colour, though no one had colour televisions back in 1966. And, yes, we really did sit that close to the tv set back then. The screens were so small you couldn't see anything unless you were no more than three feet away. Pretty sure all those cathode rays fried my brain ... Even Goodman didn't realise what he had, and seemed content to let the producers of the Marvel Superheroes cartoon show do pretty much what they wanted in return for almost no money. The big return would come, reasoned Marty, when the cartoons propelled the sales of his comic books into the stratosphere, just the way the Batman tv show had done for DC's Batman and Detective Comics . But...

Astonish: The Rise of Giant-Man

I HAVE A SPECIAL affection of the Marvel character Giant-Man, not least because he was the first ever Marvel character I came across in the winter of 1963/4. I was still in primary school and we'd been dragged off one cold morning to play football in Charlton Park, some distance from my school. I was never a fan of football, so I was more interested in a colourful American comic one of the kids had. The front cover showed a guy in a red costume trying to catch another green spinning guy, appropriately called the Human Top. The first Marvel Comic I ever saw back in the 1960s. Kirby's bird's-eye view of the action meant it wasn't immediately apparent to me that the guy in the red costume was a giant, but I figured it out once I opened the book. I leafed through the comic, noted that the red guy was called Giant-Man and could grow in size to about ten-foot tall, then handed the comic back. I pretty much immediately went back to my then-preferred DC comics - Flash , Green L...