Chuyển đến nội dung chính

Marvel's First Mystical Hero - Dr Droom

THIS TIME, I've asked my old friend and former 2000AD colleague Kid Robson to contribute a guest entry for this blog. We both share a love of early Marvels, especially those written by Stan Lee, and as The Kid had mentioned Droom in one of his earlier comments on this blog, it seemed natural to ask him to offer a few words about Dr Droom and his spiritual successor Dr Strange. Thank you, Kid ...

"Twas Steve's idea..." said Stan Lee about Dr. Strange in a letter to Jerry Bails in 1963. However, it's interesting to ponder just what gave Steve the idea to do a strip about a 'Master of Black Magic' (later changed to 'Mystic Arts') in the first place.

The origin of Dr Strange wasn't revealed until the character's fourth appearance, in Strange Tales 115 (Jul 1963) - he hadn't appeared in Strange Tales 112 and 113. It has been speculated that this episode was drawn much later in the series run - perhaps the ninth story, as it's markedly different in style from the Dr Strange adventures on either side.
Ditko had been the inker on the origin of Lee and Jack Kirby's strip, Dr Droom, and it's legitimate to wonder whether the artist may have been inspired (consciously or not) by this earlier character, whose genesis is remarkably similar to that of Stephen Strange. That would explain the subject matter, but not Ditko's seeming lack of interest in revealing the origins of the good Dr S, who, in his very first adventure, is plunged straight into an encounter with Nightmare, his "ancient foe". Stan merely adapted Droom's beginnings to fit the origins of the protagonist he was initially going to call Mr Strange, not Dr, but his input into Strange's backstory, as well as his characterisation via dialogue, plus his mood-setting expository captions, fully justifies his description as co-creator of the strip in my view.

After all, without Lee, all you have is a magician who gets involved in some quirky adventures (Ditko's wonderful art notwithstanding); with Lee, you have character motivation, mystical sounding incantations, and a sense of drama, dynamism, and danger as only he could deliver.

On the other hand, Dr Droom's origin was told in the very first appearance of the character. Like Strange, Droom was the student of a Tibetan lama, unlike Strange, Droom was summoned to his role as a mystic mage, and was selected because his compassionate nature.
That's not to downplay Steve Ditko's plotting and art, though - it's just that he wasn't much of a scripter, as his later self-penned stories for other companies starkly demonstrates. His plot ideas, however, were often brilliant. Case in point: Who can forget the 12-part saga of Dr Strange on the run from a Dormammu-enhanced Baron Mordo, surely one of the most spectacular sagas of the Silver Age? However, while Strange's origins are lifted from Dr Droom's, the strips are not really that similar when more fully compared. In fact, Droom (who debuted in Amazing Adventures 1 in June 1961) soon gets sidetracked from the world of the occult, as his subsequent adventures (2, 3, 4 and 6) have him encountering aliens from under the sea, different dimensions, and other planets.

In his origin, the Tibetan Lama who gives him his powers declares "You are now the nemesis of all occult powers that are sinister and corrupt!" However, in his third outing, after defeating an alien from Saturn called Zemu, he declares, in answer to what made him suspicious of his disguised (as a human) foe, "It was his boast of having real magic powers!" He goes on, "I, of all men, know that real magic does not exist! All is illusion! All is fantasy!"

In Amazing Adventures 2 (Jul 1961) Dr Droom investigates the disappearance of an ocean liner and discovers it has been abducted by the sub-marine inhabitants of Atlantis, who bear no resemblance to Prince Namor or his people.
Any way you look at it, that seems like a complete turnaround. There's a certain 'sameness' to Droom's tales, and his chief mystic power seem to be nothing more than hypnotism. It's therefore hardly surprising that he was quietly retired into comic book limbo for over ten years after only five stories.

So, despite similar beginnings, the two series have only a superficial resemblance to one another. Interestingly, when Dr Droom passes the Lama's tests of endurance, his eyes become 'slanted' (to use the terminology of the times), as an Oriental appearance is supposedly more suited to his new role in life. 

No political correctness in sight here - Dr Droom's skin colour and features are altered to better match his new role as a master of the mystic arts.
Dr Strange on the other hand, is first drawn as an Oriental, but in the flashback origin segment of his fourth appearance, is clearly Caucasian. Had Ditko intended for Strange's facial features to have been changed by the Ancient One, as Droom's had been altered by the Lama? If so, Lee never refers to it in his scripting, and by Strange's tenth appearance, any hint of him being Oriental has disappeared. 

The Droom adventure in AA3 (Aug 1961) pits Droom against another magician, who turns out to be an alien from the planet Saturn, using advanced science to simulate mystic feats.
Droom himself disappeared with AA 6 (he was absent from 5), as the mag changed its name to Amazing Adult Fantasy for the next eight issues, with 'Adult' missing from 15, the mag's final ish. (In which The Amazing Spider-Man made his debut - as if you frantic ones didn't already know!) 

In case you were worried about him, Dr. Droom reappeared in the '70s (first in reprints, then as a guest star in other titles), but was rechristened Dr Druid to avoid confusion with a Latverian Doctor with a similar name. He even became a member of The Avengers for a while in the late '80s.

However, let's not skirt around the controversy that you 're all wondering about. Didn't Stan Lee claim to have created Dr Strange in his 1974 book Origins Of Marvel Comics? How does that gel with Steve Ditko's assertion that he plotted and drew the first Dr S tale without any input from Stan? 

Amazing Adventures 4 (Sep 1961) had Droom combat alien invaders once again, this time convincing the extra-terrestrials that a construction site wrecking machine was a sentient lifeform. For a magician, Droom wasn't doing a whole lot of magicking ...
I don't think Stan was deliberately lying in his '74 account, and besides, he doesn't explicitly state that he created the Master of The Mystic Arts, although he does sort of suggest it by neglecting to mention that Steve brought the first episode in to him off his own bat. (Although it's always possible that Stan had first suggested a new strip to Steve about a magician. He says as much in later interviews, claiming it was because he remembered Dr Droom and wanted to do a similar strip.) 

In 'Origins' he reminisces about listening as a kid to a radio show called Chandu, The Magician, which had a gong with a resounding 'Bonnnggg' in the intro, then says "Anyway, Steve Ditko once again took up the art chores while I penned the words, and before you could say 'Who needs it?' Dr Strange was born. He was a magician, and if ever we do his stories on the radio, you'd better believe he's gonna have a gong!" (No radio show alas, but we now have a big-budget movie instead.) 

I think Stan's vagueness on the matter is probably down to his poor memory, rather than him trying to deliberately misdirect credit away from Steve, as, had he been a liar as some of his detractors prefer to believe, he'd surely never have admitted to Jerry Bails in 1963 that he hadn't come up with the idea himself.

Amazing Adventures 6 (Nov 1961) has Droom's fifth and final appearance (he wasn't in AA5) ... and in this story he is - yet again - battling an alien menace that is stealing houses. It was probably this lack of focus that led to the character not clicking with readers and after this, Stan quietly abandoned the character.
Anyway, regardless of who did precisely what, Dr Strange as he first appeared to the comics-reading public was the joint result of Stan, Steve, and Dr Droom, so all three deserve our undying thanks. And I'm sure Benedict Cumberbatch feels the same as he looks again at the cheque he received for bringing Marvel's Mystic Master to life on the big screen. When last seen, Dr Droom/Druid was heard mumbling, "It's not fair! It should have been me up there! It's an injustice it is!"

Now how do I wrap this up? Ah, what the hell, I can't stop myself - "May your amulet never tickle!"

NEXT: THE SPECTACULAR SPIDER-MAN


Nhận xét

Bài đăng phổ biến từ blog này

Some DC Comics of the 1960s I did like

BY THE BEGINNING OF 1968 , I was a confirmed Marvelite. I devoured every word Stan Lee wrote and had only contempt for the offerings of DC Comics, especially given the bad taste the Batman TV show had left. But as I approached my fourteenth birthday, some NEW comics appeared in the newsagents that caught my attention. And incredibly, they were DCs. As noted in an earlier blog entry, I had been a big fan of Steve Ditko's version of Spider-Man and had been hugely disappointed when he left the title and Marvel. At the time, I wasn't aware of his work at Charlton Comics on Captain Atom , though I do remember seeing reprints of some of those stories in Alan Class' British black and white reprint comics. So when I came across a copy of Showcase 73 (Apr 1968) in a local newsagent, with the instantly recognisable Ditko cover, I plonked down my shilling without a moment's hesitation. The first appearance of The Creeper in Showcase 73 (Apr 1968) marked the return of Steve Dit...

I said, Don't Mess with the logo!

BACK IN THE LAST CENTURY I earned my living in the magazine business ... and the prevailing wisdom at the time was that you didn't ever - under any circumstances - mess with the magazine's logo. In fact, any kind of change to the magazine's masthead was frowned upon, and even re-branding exercises were viewed with much suspicion. In the last entry in this blog, I looked at the many times that Marvel Comics changed their magazine's logos during the 1960s ... it all seemed so much easier then. But even less acceptable was the idea that you could transform the comic's logo for just one issue for, oh I don't know ... Dramatic Effect. From a marketing perspective, that's an even bigger risk than changing the logo as part of the natural evolution of a magazine's masthead Strangely, though this blog focusses on Marvel Comics, and I've always maintained Stan Lee was far more willing to experiment with different approaches to comics and storytelling than his...

Marvel Masterwork Pin-ups

AT THE DAWN OF MARVEL COMICS , back in 1961, Editor Stan Lee must have known he had a big hill to climb. He presided over a comic line that had once been the largest in the business, and was now one of the smallest. This wasn't due to Lee's poor handling of the comics, but a direct result of publisher Martin Goodman's unsound business decisions. In 1957, Goodman had decided to close down his own Atlas magazine distribution company and  strike a deal with the third party distributor American News to get his publications to the stands. Just months later, American News went out of business, leaving Goodman's magazines, including the comics, with no route to the newsstands. In the end, Goodman was able to do a deal with arch-rivals Independent News (distributors of DC Comics), but was forced to accept an eight titles per month cap on his comics line. At the beginning of 1959, the old Atlas Comics company was limping along, using the few artists who'd stuck with Stan thr...