THE SWINGING SIXTIES was a brilliant time to be growing up. Popular culture was suddenly being driven by young customers who wanted their music, fashion and movies to be different from their parents'. But it didn't happen overnight. It took a few years - from the 1962 release of The Beatles "Love Me Do" to around 1966 - to take hold properly. For this 10-year old, Nick Fury, Agent of SHIELD epitomised just about everything I was fascinated by at that age - Secret Agents; check. hi-tech intelligence organisation with cool acronym name; check. Sinister enemy organisation with menacing costumes; check. I couldn't have been happier. During those formative years, the things most important in my life were The (tv) Avengers (from series 4, 1965) , The Man from UNCLE (1965) and Marvel Comics. So you can imagine how happy I was when Stan and Jack debuted Nick Fury, Agent of SHIELD - Supreme Headquarters International Espionage Law-enforcement Division - in Strange Tale...
BACK IN THE LAST CENTURY I earned my living in the magazine business ... and the prevailing wisdom at the time was that you didn't ever - under any circumstances - mess with the magazine's logo. In fact, any kind of change to the magazine's masthead was frowned upon, and even re-branding exercises were viewed with much suspicion. In the last entry in this blog, I looked at the many times that Marvel Comics changed their magazine's logos during the 1960s ... it all seemed so much easier then. But even less acceptable was the idea that you could transform the comic's logo for just one issue for, oh I don't know ... Dramatic Effect. From a marketing perspective, that's an even bigger risk than changing the logo as part of the natural evolution of a magazine's masthead Strangely, though this blog focusses on Marvel Comics, and I've always maintained Stan Lee was far more willing to experiment with different approaches to comics and storytelling than his...