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Iron Man: A Red and Yellow Future

IRON MAN'S GOLDEN ARMOURED RUN ENDED  with the November 1963 issue of Tales of Suspense . Stan Lee had realised that his grand superhero adventure of the early Silver Age was in danger of foundering. He'd started drafting in some old Atlas alumni to (re)build to same sort of operation he'd presided over during the Atlas years. But the stories, by former Atlas and Charlton staff writer Ernie Hart and Atlas and DC scripter Robert Bernstein, seemed flat and lifeless compared to Stan's own writing efforts and they had to go. Tales of Suspense 47 was the final outing for Iron Man's golden armour, a design pretty clunky even by 1963's standards. Even while Don Heck was trying to make the armour lighter and more manoeuvrable in the interior art, Kirby continued to draw the same clumsy tank-like armour on all the covers. Small wonder Lee brought in Ditko for the makeover (and mentioned it on the cover). In taking over the writing of the Marvel b-titles, Stan also broug...

Iron Man: The Golden Years

IRON MAN WAS MARVEL'S SEVENTH superhero series, debuting in Tales of Suspense 39 (Mar 1963, on sale 10 Dec 1962). Editor Stan Lee had taken to introducing his new cast of costumed characters in the existing monster titles, after Publisher Martin Goodman had been burned by the failure of The Hulk's own title earlier that year. Given how averse Goodman was to spending money unnecessarily - new titles had to be registered with the US Postal Service and there was a cost attached - he'd decreed "no new titles" until Marvel's new characters proved themselves. Iron Man was originally coloured grey, presumably to make it obvious his suit was made of iron, but it didn't take Stan long to figure out that this would make the comic a bit drab ... so he did something about it in the following issue. So after The Fantastic Four and The Hulk , Stan's new creations were assigned to the fantasy books: Spider-Man in Amazing Fantasy and Thor in Journey into Mystery ...

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I said, Don't Mess with the logo!

BACK IN THE LAST CENTURY I earned my living in the magazine business ... and the prevailing wisdom at the time was that you didn't ever - under any circumstances - mess with the magazine's logo. In fact, any kind of change to the magazine's masthead was frowned upon, and even re-branding exercises were viewed with much suspicion. In the last entry in this blog, I looked at the many times that Marvel Comics changed their magazine's logos during the 1960s ... it all seemed so much easier then. But even less acceptable was the idea that you could transform the comic's logo for just one issue for, oh I don't know ... Dramatic Effect. From a marketing perspective, that's an even bigger risk than changing the logo as part of the natural evolution of a magazine's masthead Strangely, though this blog focusses on Marvel Comics, and I've always maintained Stan Lee was far more willing to experiment with different approaches to comics and storytelling than his...

Marvel Masterwork Pin-ups

AT THE DAWN OF MARVEL COMICS , back in 1961, Editor Stan Lee must have known he had a big hill to climb. He presided over a comic line that had once been the largest in the business, and was now one of the smallest. This wasn't due to Lee's poor handling of the comics, but a direct result of publisher Martin Goodman's unsound business decisions. In 1957, Goodman had decided to close down his own Atlas magazine distribution company and  strike a deal with the third party distributor American News to get his publications to the stands. Just months later, American News went out of business, leaving Goodman's magazines, including the comics, with no route to the newsstands. In the end, Goodman was able to do a deal with arch-rivals Independent News (distributors of DC Comics), but was forced to accept an eight titles per month cap on his comics line. At the beginning of 1959, the old Atlas Comics company was limping along, using the few artists who'd stuck with Stan thr...

Astonish: The Rise of Giant-Man

I HAVE A SPECIAL affection of the Marvel character Giant-Man, not least because he was the first ever Marvel character I came across in the winter of 1963/4. I was still in primary school and we'd been dragged off one cold morning to play football in Charlton Park, some distance from my school. I was never a fan of football, so I was more interested in a colourful American comic one of the kids had. The front cover showed a guy in a red costume trying to catch another green spinning guy, appropriately called the Human Top. The first Marvel Comic I ever saw back in the 1960s. Kirby's bird's-eye view of the action meant it wasn't immediately apparent to me that the guy in the red costume was a giant, but I figured it out once I opened the book. I leafed through the comic, noted that the red guy was called Giant-Man and could grow in size to about ten-foot tall, then handed the comic back. I pretty much immediately went back to my then-preferred DC comics - Flash , Green L...