I LOVE COMIC BOOK COVERS , especially those of the 1950s and 1960s. And because I look at so many, I can't help but notice trends, tropes and cliches in the cover concepts of the decade of my childhood. By far the worst offender was DC Comics, the company that was my introduction to American comic books. But as they were firmly aimed at 10-year-olds, they can be forgiven for assuming readers in 1958 wouldn't be readers in 1963. For my part, I began switching over to Marvel Comics around 1964, and later back-filled the issues I'd missed, so I probably only followed DC for about three years. But here, then, another batch of oft-repeated comic cover idea from DC Comics, with the occasional offering from Marvel. Let's start with ... LION'S-HEAD REVISITED Back in the late 1950s and early 1960s, DC's dark overlord Mort Weisinger struggled to know what to do with the omnipotent character Superman had become. So he manufactured a whole supporting mythology around DC...
BACK IN LATE 1965 , while my reading interests were firmly focussed on Stan Lee's burgeoning Marvel Comics line, there were other distractions for a typical eleven-year-old like myself. The prevailing cultural phenomenon on both sides of the Atlantic was the spy craze, kickstarted primarily by the movie adaptations of Ian Fleming's James Bond books, which began in 1963 with Dr No . The first Bond movie I saw was Goldfinger , released in September 1964 in the UK. This movie introduced several concepts that would go on to be genre staples - the cool sports car with in-built ordnance, the laser death-ray and the exotic murder techniques, like death by hat and execution by paint. The iconic poster for Goldfinger . Inset: Bond discovers the body of Jill Masterson, while Oddjob prepares for some millinery mayhem. It really didn't matter that these plot devices were absurd, because when you're 11, you don't care about stuff like that. It turns out that covering someone in...