IN 1964, SOMETHING HAPPENED TO JACK KIRBY'S BRAIN. After drawing a long run of self-contained, villain-of-the-month adventures in Marvel's Fantastic Four comic, the dynamic changed. It's as if some lightbulb went off in Jack's head and he stopped restricting the storytelling to 21-page units and began to spread out a bit. Perhaps it was Stan not giving Jack specific instructions about what he wanted to see in the next issue of FF ... or perhaps Stan gave Jack specific instructions to go wild. But whatever the reason, the Fantastic Four comic began to feature widescreen adventures and each new issue introduced startling, innovative concepts that boggled this ten-year-old's mind. Fantastic Four 36 was my first issue of the comic. Though it used the age old trope of having a mirror image of the heroes as villains, it was a new idea to me in early 1965. Especially striking (and a little bit creepy) was the scary woman in the dominatrix mask with the snake-like living...
AT THE DAWN OF MARVEL COMICS , back in 1961, Editor Stan Lee must have known he had a big hill to climb. He presided over a comic line that had once been the largest in the business, and was now one of the smallest. This wasn't due to Lee's poor handling of the comics, but a direct result of publisher Martin Goodman's unsound business decisions. In 1957, Goodman had decided to close down his own Atlas magazine distribution company and strike a deal with the third party distributor American News to get his publications to the stands. Just months later, American News went out of business, leaving Goodman's magazines, including the comics, with no route to the newsstands. In the end, Goodman was able to do a deal with arch-rivals Independent News (distributors of DC Comics), but was forced to accept an eight titles per month cap on his comics line. At the beginning of 1959, the old Atlas Comics company was limping along, using the few artists who'd stuck with Stan thr...