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Marvel Masterwork Pin-ups

AT THE DAWN OF MARVEL COMICS , back in 1961, Editor Stan Lee must have known he had a big hill to climb. He presided over a comic line that had once been the largest in the business, and was now one of the smallest. This wasn't due to Lee's poor handling of the comics, but a direct result of publisher Martin Goodman's unsound business decisions. In 1957, Goodman had decided to close down his own Atlas magazine distribution company and  strike a deal with the third party distributor American News to get his publications to the stands. Just months later, American News went out of business, leaving Goodman's magazines, including the comics, with no route to the newsstands. In the end, Goodman was able to do a deal with arch-rivals Independent News (distributors of DC Comics), but was forced to accept an eight titles per month cap on his comics line. At the beginning of 1959, the old Atlas Comics company was limping along, using the few artists who'd stuck with Stan thr

Stan Lee in a Post-Fact World

IF YOU'VE NEVER READ THE JACK KIRBY INTERVIEW in The Comics Journal 134 (Feb 1990), you really should. It's the basis for most of the unfounded vitriol heaped on Marvel Editor and architect Stan Lee over the last 28 years, and many Kirby supporters view it as the literal truth. But is it the literal truth? I really don't think so ... For over thirty years, fans have argued over who created what in the Marvel Universe ... but does it actually matter? Yet, it takes only the most cursory search of the internet to find an abundance of comments from some of Kirby's more extreme followers who take every word of that interview as gospel ... this despite even interviewer Gary Groth admitting that "some of Jack's claims may have been exaggerated." The further effect of that interview was to polarise Jack Kirby's and Stan Lee's camps, a rift which seems to have deepened right up to the present day. And neither side wants to shift their position an inch. I

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Bullpen Bulletins and the Merry Marvel Marching Society

BACK IN LATE 1965 , while my reading interests were firmly focussed on Stan Lee's burgeoning Marvel Comics line, there were other distractions for a typical eleven-year-old like myself. The prevailing cultural phenomenon on both sides of the Atlantic was the spy craze, kickstarted primarily by the movie adaptations of Ian Fleming's James Bond books, which began in 1963 with Dr No . The first Bond movie I saw was Goldfinger , released in September 1964 in the UK. This movie introduced several concepts that would go on to be genre staples - the cool sports car with in-built ordnance, the laser death-ray and the exotic murder techniques, like death by hat and execution by paint. The iconic poster for Goldfinger . Inset: Bond discovers the body of Jill Masterson, while Oddjob prepares for some millinery mayhem. It really didn't matter that these plot devices were absurd, because when you're 11, you don't care about stuff like that. It turns out that covering someone in

Astonish: The Rise of Giant-Man

I HAVE A SPECIAL affection of the Marvel character Giant-Man, not least because he was the first ever Marvel character I came across in the winter of 1963/4. I was still in primary school and we'd been dragged off one cold morning to play football in Charlton Park, some distance from my school. I was never a fan of football, so I was more interested in a colourful American comic one of the kids had. The front cover showed a guy in a red costume trying to catch another green spinning guy, appropriately called the Human Top. The first Marvel Comic I ever saw back in the 1960s. Kirby's bird's-eye view of the action meant it wasn't immediately apparent to me that the guy in the red costume was a giant, but I figured it out once I opened the book. I leafed through the comic, noted that the red guy was called Giant-Man and could grow in size to about ten-foot tall, then handed the comic back. I pretty much immediately went back to my then-preferred DC comics - Flash , Green L

Women of Marvel: Sue Storm Part 3 - Invisible No More

THE EARLY 1960s WAS A TIME OF GREAT CHANGE ... especially for women, though the origins of this change go back to the World War II years. The conflict with Nazi Germany and their allies brought about two big transformations in society. First, with the domestic workforce being drained by volunteers and conscription into the armed forces, women began to take on jobs, formerly reserved for men, in manufacturing and service industries, leading to a change in way women saw themselves and their role in society. As the war ground on, women took a step further, actively participating directly in the war - driving ambulances, operating ant-aircraft guns and even piloting war planes from one airfield to another in order to free combat pilots. Almost half a million women were enrolled in the British Armed Forces, and societal resistance to married women taking jobs faded. In the Soviet Union, nearly a million women served as medics, radio operators, drivers, snipers and even combat pilots. In Ge