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Iron Man: Rivetting Stuff

IRON MAN'S THIRD ARMOUR REDESIGN in fifteen months was, in my view, a bit of a backwards step. I thought Steve Ditko's makeover for the first Red-And-Yellow suit, in Tales of Suspense 48 (Dec 1963), was brilliant - no improvements needed. But just six months later,  Don Heck redesigned the armour - or more accurately - the headpiece - yet again, this time giving Iron Man a line of rivets down his face. The four faces of Iron Man, from Tales of Suspense 39, 43, 48 and 54 . That's quite an evolution in a little over a year. And I'm actually not mad about the Don Heck "Rivet-Face" version. Was Heck just trying to come up with something that was easier to draw? Or did Stan think this was an improvement? I think the design change Iron Man's faceplate was supposed to be a surprise to readers, the cover blurb certainly gives that impression. But for whatever reason, the Marvel production department included the upgraded mask on the corner box figure of Iron Ma...

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The Inhumans: Part 2 - Stardom Beckons

THERE WAS NO PLAN FOR THE INHUMANS , at least not at first. Stan Lee and Jack Kirby had introduced Madam Medusa - unheralded - as a member of the Fantastic Four foe group The Frightful Four. And for eight issues of the Fantastic Four comic - 36 (Mar 1965) to 43 (Oct 1965), Medusa haughtied her way through the stories, coldly collaborating with The Wizard and his team to bring about the defeat and/or demise of the Storm family. Tea and antipathy - The Frightful Four's dislike of each other is obvious from the start. So why does Medusa hang out with a group of people she despises. In the end, Stan and Jack never really explained that. While the other Frightfuls each had a clear motive for doing what they did - mostly being previous foes of Johnny (The Human Torch) Storm in numerous Strange Tales adventures - there was no such reasoning behind Medusa's enmity towards the FF. She was literally a character with no motivation. More importantly, Stan's scripts never even hinted ...

Marvel Masterwork Pin-ups

AT THE DAWN OF MARVEL COMICS , back in 1961, Editor Stan Lee must have known he had a big hill to climb. He presided over a comic line that had once been the largest in the business, and was now one of the smallest. This wasn't due to Lee's poor handling of the comics, but a direct result of publisher Martin Goodman's unsound business decisions. In 1957, Goodman had decided to close down his own Atlas magazine distribution company and  strike a deal with the third party distributor American News to get his publications to the stands. Just months later, American News went out of business, leaving Goodman's magazines, including the comics, with no route to the newsstands. In the end, Goodman was able to do a deal with arch-rivals Independent News (distributors of DC Comics), but was forced to accept an eight titles per month cap on his comics line. At the beginning of 1959, the old Atlas Comics company was limping along, using the few artists who'd stuck with Stan thr...

Some DC Comics of the 1960s I did like

BY THE BEGINNING OF 1968 , I was a confirmed Marvelite. I devoured every word Stan Lee wrote and had only contempt for the offerings of DC Comics, especially given the bad taste the Batman TV show had left. But as I approached my fourteenth birthday, some NEW comics appeared in the newsagents that caught my attention. And incredibly, they were DCs. As noted in an earlier blog entry, I had been a big fan of Steve Ditko's version of Spider-Man and had been hugely disappointed when he left the title and Marvel. At the time, I wasn't aware of his work at Charlton Comics on Captain Atom , though I do remember seeing reprints of some of those stories in Alan Class' British black and white reprint comics. So when I came across a copy of Showcase 73 (Apr 1968) in a local newsagent, with the instantly recognisable Ditko cover, I plonked down my shilling without a moment's hesitation. The first appearance of The Creeper in Showcase 73 (Apr 1968) marked the return of Steve Dit...