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Strange Tales: The Human Torch solo stories

IT'S FAIRLY WELL RECORDED  that at the beginning of the 1960s, when Marvel publisher Martin Goodman instructed editor and head writer Stan Lee to kick off a superhero team comic to cash in on the success DC was having with Justice League , he wanted to revive Timely's Golden Age characters The Human Torch, Captain America and The Sub-Mariner. The Human Torch had been the headline character in Marvel's first ever comic, Marvel Comics 1 (Oct 1939). When Stan was ordered to create a new superhero team book in 1961, Goodman wanted to re-use the Timely characters, but Stan went with The Fantastic Four, likely including The Human Torch to appease Goodman. And if Stan had just meekly followed that order, it's doubtful that we would have a Marvel Comics today. At best, the company would probably have ended up as a curious footnote in the history of comics, and not the creative powerhouse it evolved into during the 1960s. As good as Stan's instincts were, he did take a few ...

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Marvel Masterwork Pin-ups

AT THE DAWN OF MARVEL COMICS , back in 1961, Editor Stan Lee must have known he had a big hill to climb. He presided over a comic line that had once been the largest in the business, and was now one of the smallest. This wasn't due to Lee's poor handling of the comics, but a direct result of publisher Martin Goodman's unsound business decisions. In 1957, Goodman had decided to close down his own Atlas magazine distribution company and  strike a deal with the third party distributor American News to get his publications to the stands. Just months later, American News went out of business, leaving Goodman's magazines, including the comics, with no route to the newsstands. In the end, Goodman was able to do a deal with arch-rivals Independent News (distributors of DC Comics), but was forced to accept an eight titles per month cap on his comics line. At the beginning of 1959, the old Atlas Comics company was limping along, using the few artists who'd stuck with Stan thr...

Marvel Comics: Second-Hand Memories

BACK IN THE MID-1960s , when I first became interested in reading as many Marvel Comics as I could lay my hands on, there wasn't the perfect distribution network today's comic fans enjoy. I was reliant on the spotty delivery of American comics to the many independent newsagents in my local area and what I could salvage from the piles of second-hand comics in the various unlikely shops I'd stumble across. Once I realised that there were shops that would sell second-hand comics, I began to explore the area in earnest, ranging far and wide on my bicycle, stashing my new-found treasures in the saddlebag I'd acquired especially for that purpose. In general, these second-hand shops charged 6d (that's 2.5p in today's money - though adjusting for inflation it's actually about 30p). My pocket money was 2/6, so I could afford to buy five comics for that. Or three if I was buying them new from a newsagent. Caution was often called for. Of course, I didn't spend all...

Thor: The Wilderness Years

THE EARLIEST THOR STORIES have always been associated with the grand art of Jack Kirby. But it wasn't actually that way. While the first seven issues of Journey into Mystery that featured the Thunder God were drawn by Kirby, these tales had none of the epic sweep the Silver Age version of the character is remembered for. Thor would battle Commies and gangsters and we'd rarely see more than tantalising glimpses of Odin and the fabled realm of Asgard. Then, all too soon, Kirby was off the title, re-assigned by Editor Stan Lee to other more pressing projects, like the epic first Fantastic Four Annual (Oct 1963), as well as new titles X-Men and The Avengers .  Working over a plot by Stan Lee and a script by Larry Lieber, Al Hartley turned in his only superhero story of the Silver Age, "Trapped by the Carbon Copy Man". The result was less than legendary. Another artist had to be found for Journey into Mystery 90 (Mar 1963, on sale January) ... and for that task, Stan ...