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Hulk not smash yet ...

BACK WHEN I first started reading Marvel Comics, in the mid-1960s, I was aware of The Hulk as a co-star in the Tales to Astonish series. To be honest, I liked the Giant-Man stories a bit better, but as I became more familiar with the Marvel titles, I began to pick up hints that The Hulk had enjoyed a life before Tales to Astonish . I found tantalising references to the nature of these earlier Hulk adventures when the stories started showing up in the reprint books Marvel were putting out in the mid-1960s. The  Marvel Tales Annual for 1965 had a reprint of the Ringmaster segment from The Incredible Hulk 3 (Sep 1962). I knew that because Stan had thoughtfully added a caption at the foot of the first page that told me so. The cancelled Incredible Hulk series was reprinted in Marvel Collectors' Item Classics during the 1960s ... this was the first time I became aware of these comics. I can't now recall when I did finally manage to find an issue from the original run of The Incr...

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Marvel Masterwork Pin-ups

AT THE DAWN OF MARVEL COMICS , back in 1961, Editor Stan Lee must have known he had a big hill to climb. He presided over a comic line that had once been the largest in the business, and was now one of the smallest. This wasn't due to Lee's poor handling of the comics, but a direct result of publisher Martin Goodman's unsound business decisions. In 1957, Goodman had decided to close down his own Atlas magazine distribution company and  strike a deal with the third party distributor American News to get his publications to the stands. Just months later, American News went out of business, leaving Goodman's magazines, including the comics, with no route to the newsstands. In the end, Goodman was able to do a deal with arch-rivals Independent News (distributors of DC Comics), but was forced to accept an eight titles per month cap on his comics line. At the beginning of 1959, the old Atlas Comics company was limping along, using the few artists who'd stuck with Stan thr...

Marvel Comics: Second-Hand Memories

BACK IN THE MID-1960s , when I first became interested in reading as many Marvel Comics as I could lay my hands on, there wasn't the perfect distribution network today's comic fans enjoy. I was reliant on the spotty delivery of American comics to the many independent newsagents in my local area and what I could salvage from the piles of second-hand comics in the various unlikely shops I'd stumble across. Once I realised that there were shops that would sell second-hand comics, I began to explore the area in earnest, ranging far and wide on my bicycle, stashing my new-found treasures in the saddlebag I'd acquired especially for that purpose. In general, these second-hand shops charged 6d (that's 2.5p in today's money - though adjusting for inflation it's actually about 30p). My pocket money was 2/6, so I could afford to buy five comics for that. Or three if I was buying them new from a newsagent. Caution was often called for. Of course, I didn't spend all...

Thor: The Wilderness Years

THE EARLIEST THOR STORIES have always been associated with the grand art of Jack Kirby. But it wasn't actually that way. While the first seven issues of Journey into Mystery that featured the Thunder God were drawn by Kirby, these tales had none of the epic sweep the Silver Age version of the character is remembered for. Thor would battle Commies and gangsters and we'd rarely see more than tantalising glimpses of Odin and the fabled realm of Asgard. Then, all too soon, Kirby was off the title, re-assigned by Editor Stan Lee to other more pressing projects, like the epic first Fantastic Four Annual (Oct 1963), as well as new titles X-Men and The Avengers .  Working over a plot by Stan Lee and a script by Larry Lieber, Al Hartley turned in his only superhero story of the Silver Age, "Trapped by the Carbon Copy Man". The result was less than legendary. Another artist had to be found for Journey into Mystery 90 (Mar 1963, on sale January) ... and for that task, Stan ...