BACK WHEN I was a kid, very few television or movie producers would have dreamed of looking to comic books for source material. Certainly, the old poverty row studios, poor in ideas and budgets, might have occasionally turned to comic book and comic strip characters, but that was about it. For obvious reasons, comic strip characters made it onto the screen first. Original comic book characters didn't really kick off in a big way until Superman showed just how viable heroes created specifically for comic books could be. The earliest live-action comic strip movie I have is Tarzan the Ape Man (1932). I know Tarzan wasn't originally a comic strip character, but I'd argue that the success of the Hal Foster daily comic strip running in hundreds of newspapers in the USA from January 1929 was almost certainly what caught the attention of the the great MGM Studios. Tarzan the Ape Man (1932) was a major movie from a Hollywood's biggest and most successful studio MGM. Olympic ...
AS THE DAYS of Marty Goodman's Atlas Comics drew to a close in the late 1950s, the publisher was casting around for the Next Big Thing. Locked in to a draconian distribution contract with arch rivals DC Comics, Goodman was limited to a tight eight titles per month and if he needed to launch a new title, he was forced to cancel an existing one. So, feeling that mystery and science fiction was the coming trend Goodman decided to launch three new comics to complement the existing Journey into Mystery, World of Fantasy and Strange Tales titles. The new books were Strange Worlds , beginning in December 1958 and replacing the cancelled Navy Combat , and Tales of Suspense and Tales to Astonish , both debuting in January 1959, replacing the cancelled Homer the Happy Ghost and Miss America . Journey into Mystery and Strange Tales had been around since the twilight of the Golden Age and changed in content according to Martin Goodman's take on his customers' tastes. So they bega...