AS I NOTED in last month's blog entry, at the age of 12 I hadn't been much enamoured of John Romita's version of Spider-Man. I had been a die-hard Steve Ditko fan and, when he unceremoniously ditched the creation that had made him famous, in 1966, I struggled to warm to the new, sleek, decidedly un-nerdy version of Peter Parker. The whys and wherefores have been adequately covered in other blogs - mine and other people's. My reaction to this changing of the guard was to turn my attention firmly backwards and seek out the invaluable Marvel Tales reprints of the earlier Spider-Man stories. At first, you could have been forgiven for thinking that Stan Lee had just aped the classic DC Comics reprints of earlier stories. The cover formats of the DC 80-pagers and the early Marvel Tales were visually quite similar. Both took either panels from the stories they were reprinting or generic images of the characters and put them together in a kind of patchwork quilt of a cover -...
THERE WAS NO PLAN FOR THE INHUMANS , at least not at first. Stan Lee and Jack Kirby had introduced Madam Medusa - unheralded - as a member of the Fantastic Four foe group The Frightful Four. And for eight issues of the Fantastic Four comic - 36 (Mar 1965) to 43 (Oct 1965), Medusa haughtied her way through the stories, coldly collaborating with The Wizard and his team to bring about the defeat and/or demise of the Storm family. Tea and antipathy - The Frightful Four's dislike of each other is obvious from the start. So why does Medusa hang out with a group of people she despises. In the end, Stan and Jack never really explained that. While the other Frightfuls each had a clear motive for doing what they did - mostly being previous foes of Johnny (The Human Torch) Storm in numerous Strange Tales adventures - there was no such reasoning behind Medusa's enmity towards the FF. She was literally a character with no motivation. More importantly, Stan's scripts never even hinted ...