TO SAY I WAS DEVASTATED when Steve Ditko left Amazing Spider-Man (and Marvel) back in mid-1966 wouldn't be overstating it by very much. But then I had just turned twelve, and that sort of thing was a pretty big event in my life at that time. Other stuff, like schoolwork and washing the back of my neck, not so much. I suppose the reason I engaged with the life of Peter Parker as depicted in Amazing Spider-Man comics was because there were more than a few similarities between us. I too was growing up in a single-"parent" household. I had family responsibilities in that I was expected to care for my younger brother and sister when my mum wasn't there. And though I can't say I was an unpopular kid at school, there was still a contingent of my classmates who were giving me a hard time because I was quite bookish and didn't play football at breaktime. When Steve Ditko left the strip he'd helped create, his departure was so sudden that he didn't even draw ...
AT THE DAWN OF MARVEL COMICS , back in 1961, Editor Stan Lee must have known he had a big hill to climb. He presided over a comic line that had once been the largest in the business, and was now one of the smallest. This wasn't due to Lee's poor handling of the comics, but a direct result of publisher Martin Goodman's unsound business decisions. In 1957, Goodman had decided to close down his own Atlas magazine distribution company and strike a deal with the third party distributor American News to get his publications to the stands. Just months later, American News went out of business, leaving Goodman's magazines, including the comics, with no route to the newsstands. In the end, Goodman was able to do a deal with arch-rivals Independent News (distributors of DC Comics), but was forced to accept an eight titles per month cap on his comics line. At the beginning of 1959, the old Atlas Comics company was limping along, using the few artists who'd stuck with Stan thr...