AS A KID in the Sixties, I was first a reader of DC Comics, then discovered Marvel. My introduction to the work of Stan Lee and his collaborators was a bit of a slow burn ... I didn't really start reading the flagship Marvel title The Amazing Spider-Man until mid-1965, by which time Lee and Ditko were in full swing. Okay, this kid is reading a comic in the 1940s, but his experience wouldn't have been much different from mine. The Superman behind him is the November 1947 issue, though the Ha Ha Comics he's reading is from mid-1943. See if you can identify any others ... In my last blog entry, I described how I had come to be a regular reader of the title and how Stan Lee's and Steve Ditko completely different approach to superhero stories captivated my imagination and made me feel they really understood my life. I didn't realise at the time they were telling stories that resonated with any number of teenagers and tweenagers, and it was this that started Marvel i...
BY THE BEGINNING OF 1968 , I was a confirmed Marvelite. I devoured every word Stan Lee wrote and had only contempt for the offerings of DC Comics, especially given the bad taste the Batman TV show had left. But as I approached my fourteenth birthday, some NEW comics appeared in the newsagents that caught my attention. And incredibly, they were DCs. As noted in an earlier blog entry, I had been a big fan of Steve Ditko's version of Spider-Man and had been hugely disappointed when he left the title and Marvel. At the time, I wasn't aware of his work at Charlton Comics on Captain Atom , though I do remember seeing reprints of some of those stories in Alan Class' British black and white reprint comics. So when I came across a copy of Showcase 73 (Apr 1968) in a local newsagent, with the instantly recognisable Ditko cover, I plonked down my shilling without a moment's hesitation. The first appearance of The Creeper in Showcase 73 (Apr 1968) marked the return of Steve Dit...