WHEN I WAS GROWING UP IN THE 1960s , my pre-teen years were almost entirely consumed by comics. In the first half of that magical decade, while so much around me was changing, all I could see was the DC comics of Mort Weisinger and Julius Schwartz, along with the Beatles and certain favoured tv shows like My Favorite Martian , The Munsters and Space Patrol . As an eight year old, this was the sort of thing that held my rapt attention - DC comics and Ray Walston as My Favourite Martian. Life was much simpler then. In the second half of the Sixties, I'd discover Stan Lee's Marvel Comics, The Monkees and Steed and Mrs Peel in The Avengers . While it was a great time to be growing up, there were also plenty of disadvantages to being a kid. Chief among these was the prevailing attitude that comics were stupid. Once I got to about ten, I discovered Marvel Comics, the Monkees and, a little later, Emma Peel. For a lad at a tough South London primary school, it didn't pay to be d...
AS THE DAYS of Marty Goodman's Atlas Comics drew to a close in the late 1950s, the publisher was casting around for the Next Big Thing. Locked in to a draconian distribution contract with arch rivals DC Comics, Goodman was limited to a tight eight titles per month and if he needed to launch a new title, he was forced to cancel an existing one. So, feeling that mystery and science fiction was the coming trend Goodman decided to launch three new comics to complement the existing Journey into Mystery, World of Fantasy and Strange Tales titles. The new books were Strange Worlds , beginning in December 1958 and replacing the cancelled Navy Combat , and Tales of Suspense and Tales to Astonish , both debuting in January 1959, replacing the cancelled Homer the Happy Ghost and Miss America . Journey into Mystery and Strange Tales had been around since the twilight of the Golden Age and changed in content according to Martin Goodman's take on his customers' tastes. So they bega...