BACK IN THE 1960s , when I was a lad of about ten, our cinema entertainment didn't include an Avengers or an X-Men franchise ... heck, we didn't even have a Fantastic Four franchise. But I'll tell you what we did have in the way of superheroes on the screen - nothing. That's right, zilch. As I've recounted in an earlier post on this blog, the biggest cause for excitement for me in 1965 was the imminent arrival of Batman at my local ABC Minors Saturday morning pictures. Not in person, of course, just in the form of the 1943 Batman movie serial. "Careful what you say, fellas ... you never know who may be listening. Now let's get this stolen money divided up ..." As excited as I was, this was tempered with some disappointment that the episodes were in black and white and were obviously very old. But it was Batman. Fighting bad guys. In a costume. When you've never seen real life superheroes doing what they do on screen, this was pretty brilliant...
AS THE DAYS of Marty Goodman's Atlas Comics drew to a close in the late 1950s, the publisher was casting around for the Next Big Thing. Locked in to a draconian distribution contract with arch rivals DC Comics, Goodman was limited to a tight eight titles per month and if he needed to launch a new title, he was forced to cancel an existing one. So, feeling that mystery and science fiction was the coming trend Goodman decided to launch three new comics to complement the existing Journey into Mystery, World of Fantasy and Strange Tales titles. The new books were Strange Worlds , beginning in December 1958 and replacing the cancelled Navy Combat , and Tales of Suspense and Tales to Astonish , both debuting in January 1959, replacing the cancelled Homer the Happy Ghost and Miss America . Journey into Mystery and Strange Tales had been around since the twilight of the Golden Age and changed in content according to Martin Goodman's take on his customers' tastes. So they bega...