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Đang hiển thị bài đăng từ Tháng 8, 2013

Still paddling in the unfamiliar waters of early Marvel Comics

SO IT WAS MID-1965,  I was just coming up to my eleventh birthday and I was leaving the kids-stuff comics of DC behind and discovering the wonderful new world of Marvel Comics, masterminded by a cheery bloke called Stan Lee. I had found a character called Captain America that I thought was really cool, with his lack of superpowers, his natty spinning shield and his eye-catching Stars-and-Stripes costume. But it didn't take me long to figure out that this Marvel outfit had other titles and pretty soon, I'd found Fantastic Four and Spider-Man comics as well, and they were just good as the Captain America and The Avengers stories I'd read. Back in the 1960s, comics companies had no advertising budgets, and there were no comic stores or fanzines or internet to keep customers informed of what other books the company was publishing. If you picked up a Fantastic Four comic and you liked it, the chances were you might be interested in X-Men as well. So the publishers would hea...

Why were Silver Age Marvels so much better than Silver Age DCs?

SO ... IN THE FIRST HALF OF 1965 , I had discovered Marvel Comics and thought they made DC Comics look like kids' stuff by comparison. But then I was ten years old and didn't have a clue why Marvel Comics seemed quite a bit more grown up. It's possible that now, almost fifty years later, and having worked as an editor in comics for something like fifteen years, I may have a better insight into why that might have been. But for the moment, I want to continue to retrace my first steps through my transition from a casual DC reader to a fully-formed Marvelite … Now, this wasn't some kind of magical, overnight transformation. Through 1965, as I started to look for more of those cool Marvel Comics, I was still reading a smattering of DCs. In 1964, when I first discovered Marvel, one of the DCs that still stands out in my memory was an issue of World's Finest , issue 139, "The Ghost of Batman". It had one of those typical early Sixties DC covers that make you wan...

What's so special about the Silver Age of Comics?

"The Golden Age of science fiction is twelve." THOUGH THAT STATEMENT has been variously attributed to Isaac Asimov and Theodore Sturgeon, turns out it was credited by SF editor Terry Carr to his friend Peter Graham. But the fundamental truth of that is more important than who said it first. So for me, the best era ever in comics was my pre-teen years, in the early 1960s. I'd started off on the Weisinger and Schwarz edited DC Comics, which really were aimed at kids of 8-10. But then Stan Lee came along with his strange Marvel books. And I suppose that's what stopped me growing out of comics. The first American comic I remember seeing was an early DC science fiction book. It was on the counter of a newsagent, somewhere in London. It had a couple of kids in a canoe and they'd hooked a green monster on their fishing line. I could only have been about five. Boy, I wanted that comic ... but my mum didn't approve of horror comics, so that was that. The comic that ca...

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Bullpen Bulletins and the Merry Marvel Marching Society

BACK IN LATE 1965 , while my reading interests were firmly focussed on Stan Lee's burgeoning Marvel Comics line, there were other distractions for a typical eleven-year-old like myself. The prevailing cultural phenomenon on both sides of the Atlantic was the spy craze, kickstarted primarily by the movie adaptations of Ian Fleming's James Bond books, which began in 1963 with Dr No . The first Bond movie I saw was Goldfinger , released in September 1964 in the UK. This movie introduced several concepts that would go on to be genre staples - the cool sports car with in-built ordnance, the laser death-ray and the exotic murder techniques, like death by hat and execution by paint. The iconic poster for Goldfinger . Inset: Bond discovers the body of Jill Masterson, while Oddjob prepares for some millinery mayhem. It really didn't matter that these plot devices were absurd, because when you're 11, you don't care about stuff like that. It turns out that covering someone in...

Astonish: The Rise of Giant-Man

I HAVE A SPECIAL affection of the Marvel character Giant-Man, not least because he was the first ever Marvel character I came across in the winter of 1963/4. I was still in primary school and we'd been dragged off one cold morning to play football in Charlton Park, some distance from my school. I was never a fan of football, so I was more interested in a colourful American comic one of the kids had. The front cover showed a guy in a red costume trying to catch another green spinning guy, appropriately called the Human Top. The first Marvel Comic I ever saw back in the 1960s. Kirby's bird's-eye view of the action meant it wasn't immediately apparent to me that the guy in the red costume was a giant, but I figured it out once I opened the book. I leafed through the comic, noted that the red guy was called Giant-Man and could grow in size to about ten-foot tall, then handed the comic back. I pretty much immediately went back to my then-preferred DC comics - Flash , Green L...

From Horrors to Heroes

AS THE DAYS of Marty Goodman's Atlas Comics drew to a close in the late 1950s, the publisher was casting around for the Next Big Thing. Locked in to a draconian distribution contract with arch rivals DC Comics, Goodman was limited to a tight eight titles per month and if he needed to launch a new title, he was forced to cancel an existing one. So, feeling that mystery and science fiction was the coming trend Goodman decided to launch three new comics to complement the existing Journey into Mystery, World of Fantasy and Strange Tales titles. The new books were Strange Worlds , beginning in December 1958 and replacing the cancelled Navy Combat , and Tales of Suspense and Tales to Astonish , both debuting in January 1959, replacing the cancelled Homer the Happy Ghost and Miss America . Journey into Mystery and Strange Tales had been around since the twilight of the Golden Age and changed in content according to Martin Goodman's take on his customers' tastes. So they bega...